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Friday, August 26, 2011

Crystal B. presents her new work at Las Manos Gallery!

Fashion Designer Crystal B. presented a special preview of her
Spring/Summer 2012 Collection at Las Manos Gallery on Thursday!

Models doubled as store front mannequins in
the windows of Las Manos Gallery
A new piece by Crystal specifically inspired by Michelle Peterson-Albandoz
and Phil Wright's "The Migration of x, y, z."

Crystal B. Design's concentrate on fusing architectural form with the female
silhouette to positively enhance the features of the female figure.
For more on Crystal B check out her website HERE.

Sunday, August 21, 2011

Congrats Feline Inc and Leaving Tracks!


Feline Inc. and Leaving Tracks held its Wine Sampling Party at Las Manos Gallery on Saturday.
Between the auction and donations the organization raised a good amount of money! Congratulations on being able to support more animals in need...

For more information on Leaving Tracks click HERE.

For more information on Felines Inc., click HERE.

Friday, August 19, 2011

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Wednesday, August 17, 2011

Review of Environ!



Las Manos “Environ,” August 5 through September, 2011

A Call to Action: “Environ” at Las Manos Gallery

By Susan Thomas

Michelle Peterson-Albandoz is a curator who likes to make you think…on many levels. Las Manos Gallery’s latest group show “Environ” is no exception: Fourteen artists contribute their vision of man’s damage to land in the pursuit progress and consumption, now through September at this Andersonville space.

The environmental activist theme is a constant with Peterson-Albandoz, also an artist known for her reclaimed/recycled wood compositions. “There’s so much consumption and waste out there—it just makes sense as an artist to recycle materials into something responsible and beautiful,” says Albandoz.


Peterson-Albandoz & Wright's "The Migration of X, Y, Z"
Her own contribution to this show is a departure from her previous, more urban/rustic assemblages of reclaimed and repurposed material. “The Migration of X, Y, Z,” a collaboration with master craftsman Phil Wright, evokes a flock of white birds: cubist and three-dimensional. Larger in scale than her previous installations, the work’s stark geometric form and lack of color make an arresting statement that also soothes via repetition and shadow play.


Patrick Manning's "Delta"
Patrick Manning’s “Delta” series, five large-scale photographs of southern bayous and waterways also works heavily with white. Open white skies serve as contrastual backdrops to fecund green outcroppings of land, marshes and swamp. “I’m using white to communicate erasure. Seventy five percent of the deltas have disappeared in the last forty years. Some towns are completely underwater. You don’t notice the damage over time,” says Manning.


Linda Adele Goodine's "Cane, from the Beeline Highway Series, Florida"
Overall highlights of this show are in its particular moments of irony: humorous and sad, captured by many of the contributing artists. Technicolor abundance and enticing detail practically yell to the viewer in Linda Adele Goodine’s giant still life photographs. Upon closer inspection they become deliberately grotesque and distinctly unappetizing as a whole: smoke stacks belching behind the banquet in “Cane, From the Beeline Highway Series.” Even her use of heavy traditional wood and bronze frames recall Dutch Masters’ still lives with a wink. In another work “Tenderfoot, From the Beeline Highway Series,” she poses a uniformed boy scout stiffly in front of a dead tree; boomerang in one hand, tame cardinal perched on the other; a joke on man’s foolish attempt to control the forces of Mother Earth?

Derek Ottens " Jewel- June 14-1"
And if you find the life-size hog head in “Cane” tickling your sense of macabre, brace yourself for Derek Otten’s “Chicken Blood on Panels.” From afar, they could pass for small-scale overhead views of a keyboard. Look again: they’re bar codes from the super market packaging of chicken, replicated exactly with chicken’s blood. Otten asked a hallal butcher to provide him with the blood. “I’m a vegetarian,” he explained. “How we manufacture food in this country is appalling and I wanted to reflect the commerciality of that process.”


Michael McGuire's "Flag Dumpster"
Photographer Michael McGuire, a perennial exhibitor with Las Manos, has branched out into painting and drawing as of late, but he returns to his horizontal photograph format for this show with three decidedly different contributions. One an inviting water scene that makes you want to take a dip, another a high-contrast black and white depiction of wild flowers and the third, “Flag Dumpster,” encapsulates the message of this show with a photograph; the American flag painted on a dumpster. Doubtful the flag’s painter knew the visual pun he was providing…and portending. Well… there goes our bond rating. McGuire at his intelligent, witty best.

Olivia Petrides, (from left to right), Scott Johnson and Eric Bos
The painters in this show, Olivia Petrides, Eric Bos and Scott Johnson balance the whole nicely. Johnson’s road work scenes are interesting twists: he makes colorful cement mixers look like toy trucks as they circle in “State Fair,” and a group of clone-like construction workers, stick figures massed together on a job site, become human anemones in “Urban Development.”

Tate Foley's "Stag Flation"
More graphic in design are Tate Foley’s screen print series of generic large cans (oil cans, judging by the Shell logo on one). Each is advertorially adorned with a slogan of Americana, and finally one bold can simply stating “Hell.” John McCaughey’s collages of found papers could be showcased with less obvious framing, but this young artist has a clear grasp of the conceptual.

Krista Charles' "Kappy's Restaurant"
What is disposable and what we discard, large and small, is captured in Krista Charles’ tiny detailed drawings on matchbook covers. They depict the establishments and structures that used to occupy where the match book actually came from. More than one viewer noted the sharpness of her eyes and pencil to capture such detail so minutely. The haunting captions reveal the current status of these places: “Now boarded up for sale,” “Now vacant building,” and amusingly, “Still Kappy’s Restaurant.” If the medium is the message, all structures are easily erased or wasted, temporary man-made follies.

The opening night of "Environ"
“Environ” is a collective visual call to action for the planet. “Politics in art is a tough problem,” explains photographer Manning. “How to reconcile the beauty of a piece with a political statement doesn’t always work.” “Environ” accomplishes both. It is a thoughtful and thought-provoking show that does not sacrifice visual pleasure; a balance Las Manos excels at.


Susan Thomas is a freelance writer from Wilmette.

Sunday, August 14, 2011

Michelle Peterson-Albandoz Time-Lapse!

video

Michelle Peterson-Albandoz, Artist and owner of
Las Manos Gallery, spent a day being photographed
for this time-lapse video. Nine hundred images were
taken of her putting together two of her 4' x 4'
reclaimed wood panel constructions. Her dog
Pablo gets to sleep and wander around the piece
during the many hours it took to construct!

Friday, August 12, 2011

Field Trip to Las Manos Gallery!

Kids with FutureWorld Learning Center spent a little time
at Las Manos Gallery observing art work talking to artists.








Students take a good look at Krista Charles' matchbook drawings.

















Hugs all around...













FutureWorld Centers features after-school programs that offer a state-of-the-art computer learning environment.


Wednesday, August 10, 2011

Wine Sampling for a Good Cause!

Las Manos Gallery is proud to support the community and Felines Inc for
a fundraiser to help build a shelter.
Please join us for a wine sampling party on
Saturday, August 20th from 5-8pm.



















Build it and they will come!
Help Felines Inc. reach it's goal of raising $450,000 to rebuild the shelter.

Monday, August 8, 2011

The Environ Opening!







Derek Ottens took barcodes from the back of meat packages and recreated them in chicken blood. The result is a study in the lack of knowledge of our food source.






















Photographers Patrick Manning and Linda Adele Goodine pose for a picture during the opening of "Environ" at Las Manos Gallery.












Steve Becker stands with a few of his landscape photographs.












Artist John McCaughey with his work created by papers, posters and other items collected on the streets of cities he wanders.
















Michelle Peterson-Albandoz and Phil Wright's "The Migration of x,y,z" on the wall of the gallery.











Oil barrels reach towards the ceiling of the gallery. Information about how many barrels America consumes and what percentage of oil we take up in the world is part of this installation.


















A collage by John McCaughey












Linda Adele Goodine's work






















Steve Becker's photographs